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Henri De Toulouse-Lautrec
Jane Avril at the Jardin de Paris
mk235
1893
Oil on canvas
124.5x89.5cm
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Henri De Toulouse-Lautrec
Aristide Bruant at His Caharet
mk235
1892
Oil on canvas
137x96.5cm
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Henri De Toulouse-Lautrec
Women in a Brothel
mk235
c.1893/1894
Oil on card
60.3x80.5cm
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Henri De Toulouse-Lautrec
The Sofa
mk235
1895
Oil on canvas
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Henri De Toulouse-Lautrec
at the cirque fernando the ringmaster
mk247
1887 to 88,oil on canvas,40x63 in,103x161 cm,joseph winterbottom collection,chicago,il,usa
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Henri De Toulouse-Lautrec
the bed
mk247
1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france
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Henri De Toulouse-Lautrec
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Henri De Toulouse-Lautrec
Moulin Rouge
mk250 AD 1892 - 1895 years. Oil on canvas, 121.9 x 140 cm. City of Chicago Art Institute of Chicago.
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Henri De Toulouse-Lautrec
La Toilette, early painting
La Toilette, early painting
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Henri De Toulouse-Lautrec
Self portrait in the crowd, at the Moulin Rouge
Self-portrait in the crowd, at the Moulin Rouge
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Henri De Toulouse-Lautrec
La Goulue arriving at the Moulin Rouge
La Goulue arriving at the Moulin Rouge (1892).
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Henri De Toulouse-Lautrec
Portrait of Gabrielle
Portrait of Gabrielle
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Henri De Toulouse-Lautrec
At the Moulin Rouge, Two Women Waltzing
At the Moulin Rouge: Two Women Waltzing
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Henri De Toulouse-Lautrec
At the Circus Fernando
At the Circus Fernando
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Henri De Toulouse-Lautrec
The clown Cha U Kao at the Moulin Rouge
The clown Cha-U-Kao at the Moulin Rouge (1895)
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Henri De Toulouse-Lautrec
Salon at the Rue des Moulins
Salon at the Rue des Moulins
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Henri De Toulouse-Lautrec
The Medical Inspection at the Rue des Moulins Brothel
The Medical Inspection at the Rue des Moulins Brothel
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Henri De Toulouse-Lautrec
The Two Girlfriends
The Two Girlfriends
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Henri De Toulouse-Lautrec
Laundryman at the brothel
Laundryman at the brothel
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Henri De Toulouse-Lautrec
Marcelle Lender on stage
Marcelle Lender on stage
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| Henri De Toulouse-Lautrec
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1864-1901
French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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